When I released my last £1 mini print in 2023, some lucky bastard somehow managed to sell one on EBay for £300 two months later, which (and I’ve checked) represented the largest percentage return on investment in two months for any artwork in the history of the art market, ever*.
As a comment on the absurdity of such a happening, on the shockingly erratic (and often deeply disappointing) market value of some of my early work, and on the absurdity of the notion of contemporary art as an unregulated investment vehicle (and, let’s not forget, to make a quick £150 for me), I’ve decided to release another £1 limited edition print, only this time with an insensitively titled and even more ludicrously lilliputian silkscreen print homage to Bridget Riley’s (incredibly easy to replicate) œuvre , measuring a mere 6.5 centimetres by 5 centimetres each.
I’ll grant you- that is incredibly small, but fuck it, you get what you pay for.
*that is actually true, BTW…
When I released my last £1 mini print in 2023, some lucky bastard somehow managed to sell one on EBay for £300 two months later, which (and I’ve checked) represented the largest percentage return on investment in two months for any artwork in the history of the art market, ever*.
As a comment on the absurdity of such a happening, on the shockingly erratic (and often deeply disappointing) market value of some of my early work, and on the absurdity of the notion of contemporary art as an unregulated investment vehicle (and, let’s not forget, to make a quick £150 for me), I’ve decided to release another £1 limited edition print, only this time with an insensitively titled and even more ludicrously lilliputian silkscreen print homage to Bridget Riley’s (incredibly easy to replicate) œuvre , measuring a mere 6.5 centimetres by 5 centimetres each.
I’ll grant you- that is incredibly small, but fuck it, you get what you pay for.
*that is actually true, BTW…
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